In some ways, we were hoping that the GM didn’t live up to expectations (wishful thinking) and therefore it would have been easy to stick with the f/4. It’s a tough call between the 16-35mm f/4 and the f/2.8 GM below. For outdoor photographers using the Sony Alpha system, it’s a must-have lens. And optical performance from the f/4 version is great overall: the lens is sharp, has reasonable levels of distortion, creates excellent sunstars, and boasts a weather-sealed build for protection from the elements. And given that this was the first wide-angle zoom for Sony FE, a number of professionals readily adopted this lens during the wait for the inevitable GM version. Based on extensive research, we felt it was the best 16-35mm f/4 on the market including those from heavy hitters like Canon and Nikon. We’ll start by saying that we were an early adopter of the Sony 16-35mm f/4. What we don’t: Falls short of the G Master below in low-light performance. What we like: Great optics and sunstars at a reasonable price and weight. But the 24-70mm f/2.8 GM more than makes up for it with image quality, which is the reason it is the premier FE-mount lens. On a compact camera like the Sony a7R IV, it definitely can feel like a bulky piece of glass. It’s also heavier than either of those two lenses at a whopping 31.3 ounces. The first is price-$2,000 makes it considerably more costly than either the Canon 24-70mm f/2.8 or Nikon 24-70mm f/2.8. But this lens does have its shortcomings. If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. All things considered, it may be the best 24-70mm f/2.8 on the market from any brand. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. The 24-70mm f/2.8 GM is the lens that made Sony’s full-frame mirrorless cameras truly competitive with Canon and Nikon. For more background information, see our Sony FE lens comparison table and buying advice below the picks. Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world.
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